Having become Coach Developer (CoDe) after a career as a professional footballer and then a coach, Marc Duvillard entrusted me with the design and creation of his website.
The mandate was to condense his rich professional football experience while emphasizing the new services offered by a CoDe.
In fact, we have agreed to design a so-called "showcase" site containing all the information necessary for people interested in what Marc Duvillard has to offer.
With a "one-page" design, interspersed with different paragraphs and quotations, it is possible at the bottom of the page to download various essential documents to understand the CoDe approach as well as Marc Duvillard curriculum.
To view my work, click here
I received a somewhat special request from a principal, that of applying different texts to the walls of the vaulted passage of the main entrance of his residence.
According to the texts received, I started by looking for the typeface as well as the choice of color that best illustrated the subject.
A small frieze at the entrance to the vault has found the perfect place to receive the text “Gods forgive…, me not”.
This text with a religious connotation is actually the title of an Italian western directed by Giuseppe Colizzi and released in 1967.
In the main roles, actors Terence Hill and Bud Spencer (also Italians) share the bill.
A Gothic style calligraphy in black is a nod to ancient biblical texts.
The quote "IF I HAD WANTED YOU TO UNDERSTAND ME, I WOULD HAVE EXPLAINED MYSELF" comes from the famous "Cruyffismes", phrases by Johan Cruyff, Dutch footballer (1947-2016).
Referring to the text “Gods forgive…”, it is a form of response to possible requests for justifications.
Painted in orange (the color of the Dutch football team's jersey) on the left wall, it gives a perspective of depth inviting people to step forward.
The typeface used is that of certain flourishing slogans on the walls of major European capitals!
The excerpt from the text by Alex Capus comes from the book “Les amants de Montreuil”.
Unlike the “Cruyffismes”, this one wants to be intellectual, more thoughtful, mature.
The typeface used is found in the world of publishing and more particularly that of books.
Green, in opposition to orange, a hot/cold contrast, brings us calmly to the front door.
The technique used is that of stencil.
The text, composed on a computer on a 1/1 scale and then printed on several A3 and A3+ sheets, is glued to a thin cardboard to then be cut out manually.
> Stencil texts painted on walls
> PRECISION MASKING 50mm
> Long hair and foam roller
> Round brush
> Spirit level
> A3+ paper
> Working cardboard, 350 g.
> 3M Repositionable Glue
> Cutter A-300
> Exponit*** GT3, GT4 and GT5
> RAL 9004 (signal black)
> RAL 2004 (pure orange)
> RAL 6018 (Yellow Green)